Daishoji clan commander Samurai of the Edo-period Ishikawa, Toshiharu Maeda, ordered to bake in this style. Baked in Kutani village, the style expresses the semiabstract design using the five colors of blue (green), yellow, red, purple, prussian blue.
It was influenced by the Kano school, painted with lively and free lines, characterized by a bold design and exquisite colour scheme.

About 100 years after Kutaniyaki waste kiln, the Kasuga mountain kiln opens in Kanazawa at Kaga clan management.

A style in which Mokubei Aoki, literatologist painter, ordered to paint red to the front, and depicts Chinese characters and others in five colors

This style uses the kiln in which Yoshidaya Denemon aimed to use it at revitalizing Kutani. It is a style that followed the painting style of Aode Kutani.

The style mainly uses four colors, blue (green), yellow, purple, iron blue and various patterns and small patties, filling the whole surface characterized by a solid feeling style.

This style is done by baking in Miyamotoya kiln that took over the Yoshida ya iron pod.

It draws a person closely in red, filling the circumference with small stamps. It adds details using the gold color, and it is also called Hachiro-shu from the main worker Iidaya Hachiro.

The fusion of all the methods of Kokutani, Yoshidaya, Iidaya, Kanzaki and the style of coloring in gold founded by Shozo Kutani.

After the Meiji era, this style became the mainstream of the Kutani style and is regarded as the "Japan Kutani".

Style burned in the Kutani main kiln where the Daisho clan of the Kaga clan branch opened.

It is a luxurious and sophisticated style of painting on the entire surface with red, painted with gold only on it.

echnique spread in Taisho era. Above the ground color, a lump of fine green points called the 'blue grains' line up, and convey classiness. In order to make the size, color and interval of blue grains uniform, high skill is required. Besides blue grains, there are also white grains and gold grains.

In 1924, Sakae Nishio introduced this style. A method that is common in ornaments such as lions and lucky cats (Maneki Neko).
It features a three-dimensional pattern created using specific paints which makes the product bold and exciting.

Using the glaze of blue (green), yellow, red, purple, iron and blue, it fills the whole vessel.
By overlaying two or more kind of glaze, you can enjoy the gradual color change, and an elegant and vivid picture is drawn.

This style of painting bakes using gold powder and various forms of gold leaf with transparent glaze.
By using the glaze, it creates a soft, moist texture and it produce a fine sparkle on the surface.

A technique of painting using transparent frosted glaze or five colored glaze on silver paste and baking it.
The foil does not peel off, and it has the property of not rusting. The tone of the soft picture and the textured feeling creates elegance to the painting.